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I have already mentioned my love of film, in my own work I’m shooting on film more and more.

There is something about shooting film you don’t get with digital, with digital you can ‘hose it down’ with images, with film you can’t, you have to know what you want to shoot and get it in the fewest possible number of frames.

It’s a great discipline and unless you have shot film you don’t realise how alive this makes you feel, it sharpens the senses,  it focuses your mind, it gets you to think more tightly about every aspect of what you want to shoot, and with this sharpness as you look you’ll be surprised how much more you see. Keep in mind though there are limits,  every film behaves differently particularly when you ask it to do something it was not designed to do, and if you do when you get it back it will contain all sorts of interesting surprises.

With digital you can ‘machine gun’ every angle of a set and every expression made by your model  in the knowledge that you can find the one that works later when you get everything on screen, after all ‘it has to be in there somewhere’.  With digital you don’t have to commit to anything on set when you shoot, equally nor does your client, but the danger is that this can become a mind set, and for some it is.

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It’s very simple with film you have to take almost all your decisions in real time, right in the moment as you shoot, with digital you can take almost all the decisions retrospectively once you get back to the screen, it’s no wonder film is so exciting.

Some years ago I attended Werner Herzog’s Rogues Film School, he recounted the story of shooting Bad Lieutenant with Nicholas Cage (Herzog was the Director).  They started shooting at 10am and Herzog had everything he wanted by mid day,  however the Assistant Directors (AD) wanted allot more incidental footage covering every possible angle and detail they could find so they could add and tweak the film in the cutting room. Herzog said no, he had what he wanted, the AD’s were not happy and they continued to make demands, that was until Cage also said no telling the AD’s they were ‘working with a man who knew what he was doing’.

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